Tom Cruise‘s star vehicle “Digger” has finally been unveiled to members of the film press, who have been left divided by the satirical black comedy. The latest directorial effort from “Birdman” and “The Revenant” Oscar winner Alejandro González Iñárritu is being called everything from “baffling” to “unpleasant” to “fascinating stuff.” Most film journalists seem to agree on one thing: “Digger” is like nothing you’re expecting.
“This is Tom Cruise’s most dynamic and interesting role in years,” writes Next Best Picture founder Matt Neglia. “It provides him plenty of space to preach to the back row but not enough to dig deeper and deliver a performance that could’ve had far more power and nuance had Alejandro González Iñárritu’s ambitious narrative not been so imbalanced in favor of its zany but empty theatrics.”
Variety’s awards pundit Clayton Davis adds: “I respect the swing and what Alejandro González Iñárritu is going for. Tom Cruise and John Goodman are delivering stellar work, and the production design and cinematography are impressive. In the end, not all the dots connect, and I wish the film leaned harder into the absurdity and satire it kept reaching for. Shocker! The divide on this one is going to be wide.”
Awards Radar’s Joey Magidson called the movie a “mess,” claiming that “not a whole lot works here” and “this wasn’t enjoyable,” while critic Edward Douglas added: “I cannot say that ‘Digger’ is very good, although I could tell what Iñarritu and Cruise were going for… I expect a HORRENDOUS CinemaScore.” A similar opinion was shared by journalist Mike Ryan, who called the movie “unpleasant.”
IndieWire’s Jim Hemphill was more positive, writing the movie “not only showcases Tom Cruise’s best performance since ‘Magnolia,’ it’s one of the most visually inventive, conceptually audacious, and unpredictable studio movies ever made. Takes so many bold aesthetic swings it makes ‘Bardo’ look like an episode of ‘The Golden Girls.'”
Anne Thompson of IndieWire was also high on the movie, calling it “a brave and gorgeous art film that will not score with mainstream audiences but will play best for the Academy, especially crafts and actors.”
“Digger” stars Cruise as Digger Rockwell, a wealthy tycoon who must save the world when one of his oil rigs malfunctions and causes an environmental catastrophe across the planet. The film’s supporting cast includes Riz Ahmed, John Goodman, Sandra Hüller, Michael Stuhlbarg and Jesse Plemons.
For Cruise, “Digger” notably marks his return to adult-oriented drama after more than a decade playing action movie heroes. In the last 10 years, Cruise’s only non-action movie is the 2017 crime comedy “American Made.” One would have to go back 20 years to add more non-action movies to Cruise’s roster, such as the musical “Rock of Ages,” the political drama “Lions for Lambs,” the comedy “Tropic Thunder” and the historical thriller “Valkyrie.” Cruise’s return to more dramatic fare has raised the eyebrows of Oscar pundits since “Digger” was announced a few years ago, but the wildly divisive reactions to “Digger” may upend his expected awards campaign.
Prior to the film’s release, much of the buzz surrounding “Digger” has related to Cruise’s wild transformation into the title role. The actor appears under heavy makeup and prosthetics that originally took six hours to apply. Cruise worked with the movie’s makeup department to get the transformation time down to an hour.
“I had a guy there with a stopwatch and I’m like, ‘OK, you see that time, six hours? By the time we’re done, we’re going to get it under an hour,’” Cruise said on the “New Heights” podcast. “They were like, ‘No, I’m not doing that, it will never happen.’ I’m like, ‘OK, first of all, if you say no, you can’t do it, you will never get there. So can we agree that we’ll maybe make it a little less?’ So with each piece that was going on, it was timed and then we’d drill and practice.”
“Digger” opens in theaters Oct. 1 from Warner Bros. Check out first reactions in the posts below.
DIGGER is a very mixed bag. You’ll get what it’s saying, and the concept is interesting, but it doesn’t trust the audience enough not to hold its hand. Riz Ahmed is great. The Cruise performance is solid. Hard to do satire when the absurdity is so prominent in reality. pic.twitter.com/SzhcTaztWB
— Kristen Lopez (@kristenklopez) September 22, 2026A.G. Iñárritu's Digger is a brave and gorgeous art film that will not score with mainstream audiences but will play best for the Academy, especially crafts and actors. But critics will divide on Cruise. The tour-de-force amphitheater scene might put him across. Riz Ahmed is fab.
— Anne Thompson (@akstanwyck) September 22, 2026DIGGER: Alejandro González Iñárritu continues to take big swings and make bold choices as a writer and filmmaker. While this film certainly won’t work for everyone, I found the pairing of Iñárritu and Tom Cruise to be an engaging and one of a kind experience. Cruise really does… pic.twitter.com/1oOxHBGAJh
— Scott Menzel (@ScottDMenzel) September 22, 2026Very mixed on DIGGER which had things I liked (Cruise’s performance included) and things I found absolutely insufferable. I wasn’t a devoted Inarritu hater before this but now I kind of get it! Riz Ahmed innocent
— Hoai-Tran Bui (@htranbui) September 22, 2026Digger is the biggest swing of Cruise's career. It's either going to blow your mind or you'll have other thoughts when you learn what is really happenng in Iñárritu's masterfully directed film. Avoid spoilers. Alan Ng and I have very different thoughts. @mypalal #Digger…
— Chris Gore (@ThatChrisGore) September 22, 2026I cannot say that Digger is very good, although I could tell what Iñarritu and Cruise were going for. There is a major reveal (not a twist) towards the end that almost justifies the craziness… but it will be a tough movie to review, and I expect a HORRENDOUS CinemaScore.
— Edward Douglas (@EDouglasWW) September 22, 2026“Digger” not only showcases Tom Cruise’s best performance since “Magnolia,” it’s one of the most visually inventive, conceptually audacious, and unpredictable studio movies ever made. Takes so many bold aesthetic swings it makes “Bardo” look like an episode of “The Golden Girls.”
— Jim Hemphill (@JimmyHemphill) September 22, 2026DIGGER is my favorite film of ‘26 — I avoided spoilers, so the surprises had an incredible impact.
A bit Kubrick, a bit BLACK MIRROR but also feels original — a surreal, weird, funny study on (human) nature and storytelling.@TomCruise’s performance ranks among his career best. pic.twitter.com/bOm4wlNroa
DIGGER: Often unfunny and flat, and yet… González Inñárritu is uncommonly focused here, and for various reasons that must wait to be discussed this is pretty fascinating as an exploration of one’s place in the face of the apocalypse; unsuccessful but surprisingly provocative.
— Ryan Swen/孫天行/Sun Tien-hsing (@swen_ryan) September 22, 2026Digger is a mess. Tom Cruise and Alejandro G. Iñárritu are taking a massive swing here, but despite some great production design and a commitment to their big choices, not a whole lot works here. Cruise is good and Riz Ahmed is a highlight, but man this wasn’t enjoyable.#Digger pic.twitter.com/dCQEtDlSYG
— Joey Magidson (@JoeyMagidson) September 22, 2026"Digger" is not what people are expecting — and how audiences react may be the ultimate test of Tom Cruise's star power. I respect the swing and what Alejandro González Iñárritu is going for. Tom Cruise and John Goodman are delivering stellar work (Sophie Wilde might be best in… pic.twitter.com/egbp5ExWVj
— Clayton Davis (@ByClaytonDavis) September 22, 2026Tom Cruise, as you probably expect, is *going for it* in DIGGER, which makes me want to like it. Though I find some plot choices baffling. There are very interesting moments in a meta, Cruise’s career way, but MAVERICK did them better. (It’s also kind of generally unpleasant.)
— Mike Ryan (@mikeryan) September 22, 2026DIGGER is not at all what it seems on the surface. What begins as an over-the-top comedy of gigantic satirical proportions suddenly turns into a meta, somber commentary on the bleak state of the world we’re inevitably heading toward, our inability to stop it, and what we’ll… pic.twitter.com/AYTaRaGNYl
— Matt Neglia @NYFF (@NextBestPicture) September 22, 2026DIGGER is a timely examination of powerful, wealthy narcissists manipulating the public narrative for their gain. It is very goofy, though not particularly funny, while also dissecting itself being this way. A satire about the role of satire. Fascinating stuff, (1/2)
— The Oscar Expert (@expert_oscar_2) September 22, 2026
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