Movies|Earl Holliman, Rugged, and Familiar, Screen Presence, Dies at 96
https://www.nytimes.com/2024/11/29/movies/earl-holliman-dead.html
You have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load.
Earl Holliman, an iron-jawed actor who earned a star on Hollywood Boulevard for a prolific career that included a corral full of Westerns, an appearance on the first episode of “The Twilight Zone” and a turn as Angie Dickinson’s boss on the 1970s television drama “Police Woman,” died on Monday at his home in Studio City, Calif. He was 96.
His death was confirmed by his husband, Craig Curtis, who is his only survivor.
While never a household name, Mr. Holliman was a seemingly ubiquitous presence on both the big and small screen, collecting nearly 100 credits over a career that spanned almost five decades.
Ruggedly handsome, he was a natural choice for Westerns, war movies and police procedurals. Among his many notable films were “The Bridges at Toko-Ri” (1954), starring William Holden and Grace Kelly; “Gunfight at the O.K. Corral” (1957), starring Burt Lancaster and Kirk Douglas; “The Sons of Katie Elder” (1965), with John Wayne and Dean Martin; and “Sharky’s Machine,” the 1981 Burt Reynolds detective thriller.
Over the years, he also popped up in many television series, including “Gunsmoke,” “CHiPs” and “Murder, She Wrote.”
Mr. Holliman’s career started with promise. He broke through in the Depression-era romance “The Rainmaker” (1956), winning a Golden Globe for best supporting actor for playing the impulsive teenage brother of a lovelorn woman (Katharine Hepburn) who encounters a grifter (Mr. Lancaster) promising rain in drought-ravaged Kansas.
A relative unknown, Mr. Holliman managed to win the role over Elvis Presley, who was then rocketing to fame as a rock ’n’ roll trailblazer, but who took time out to read for the role. (Mr. Holliman apparently had little to worry about: “Elvis played the rebellious younger brother with amateurish conviction — like the lead in a high school play,” Allan Weiss, a screenwriter who saw the audition, recalled.)